As I embark on my final year as an undergraduate at the University of Oklahoma, I reflect on my practice's evolution and the new directions that have emerged over the summer. This period has been an intense creative exploration, culminating in a series of proposals aiming to synthesize my digital and sculptural work innovatively.
The first week of this semester has been dedicated to refining these proposals, representing a deliberate effort to push the boundaries of my artistic practice. The first project involves a deep dive into the world of macro photography. I aim to capture the intricate details of my metal sculptures, revealing textures and forms that might otherwise go unnoticed. By magnifying these elements, I hope to uncover new dimensions within the work, allowing viewers to engage with the sculptures more intimately.
In my BFA Studio class, I explore the intersection of digital and physical media through 3D printing. I plan to transform photographic images into tangible, three-dimensional objects, offering a new perspective on the interplay between surface and depth. This process will not only make the pictures tactile but also invite viewers to experience them in a more immersive and interactive manner.
The final project I am undertaking this semester focuses on the transformative potential of patina on bronze. I am particularly interested in how patina can alter a cast object's surface, infusing it with a sense of history and depth. I am 3D printing light switch plates to facilitate this experiment, which will be cast in bronze. This will allow me to explore the effects of different patination techniques on a standardized form, creating a series of unique yet related works.
These projects mark a significant step in my ongoing journey as an artist, seeking to harmonize the digital with the physical, the visual with the tactile. As I move forward, I am excited to see how these experiments will unfold and contribute to the broader dialogue within contemporary sculpture.
留言